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rokinon 12mm vs sigma 16mm landscape

Less vignette along the edges, better sharpness near the edges, and slightly more contrast. Rokinon/Samyang 14mm vs 16mm - posted in DSLR, Mirrorless & General-Purpose Digital Camera DSO Imaging: Hi folks can I pick your brains. It’s fast, really fast! I can now offer a 5% discount on all purchases at, Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on LinkedIn (Opens in new window), Click to share on Pinterest (Opens in new window), Click to share on WhatsApp (Opens in new window), Sigma 16mm f/1.4 DC DN Contemporary Review, Adobe Photoshop Creative Cloud 1-Year Subscription, Tamron 70-300mm F4.5-6.3 RXD (A047) Review, Tamron 70-300mm F4.5-6.3 RXD Image Gallery, Viltrox AF 56mm F1.4 Review and Image Gallery, Erotic Planet - Amateur Couple Fucks Hard, Supports all Sony focus technologies, including Eye AF, Good sharpness at f/1.4, exceptional sharpness and contrast from f/2 and beyond, No lateral CA, and little to no axial CA after f/2, Largest in class maximum aperture adds to versatility, Minor amounts of distortion remain after correction. Providing a 35mm-equivalent focal length of 16mm and a broad 105.9° angle of view, this lens is ideally suited for interior, architectural, and landscape photography applications. Vignetting isn’t an issue but distortion must be corrected with the lens profile since it is quite evident at 16mm. Sony a6500: B&H Photo | Amazon | Amazon.ca | Amazon UK | Ebay I think Sigma delivered what they needed to here. Rokinon is the same company as Samyang, above, but they brand some of their lenses differently than others. From an aesthetics standpoint, which I honestly care almost nothing about, the 14SP is a nice-looking lens and was clearly designed with Zeiss’s external look in mind. The corners are softer at the fastest apertures and you’ll encounter some vignetting but this is to be expected. If you need magnification from your wide angle lens, something like the Samyang/Rokinon 12mm f/2 lens might better suit your purpose. Saville is quick to state that, having tested the lenses, the Sigma 14mm f/1.8 is the best of the bunch… but it’s also the most expensive at $1,600. Have one to sell? As you’d expect from a wide-angle lens, there is lots of distortion and vignetting but both can be corrected by applying the lens profile. Equipping your creativity, since 1974. Stopping down to f/2 does help a bit, but doesn’t eliminate the issue. I've heard many good things about both the sigma and the Rokinon but can't seem to find any clear answer. Compare Sigma 16mm f 1.4 DC DN Contemporary Lens for Sony E vs Rokinon 12mm f 2.0 NCS CS Lens for Sony E-Mount Black vs Rokinon 8mm f 2.8 UMC Fisheye II Lens for Sony E Black vs Sony E 16mm … As we mentioned in the General Image Quality page, our reviews typically incorporate a field of view (FoV) comparison as part of that chapter. Why choose the Sigma 16mm 1.4 for your Sony APS-C camera: Before testing the 19mm, I admit that I didn’t have particularly high hopes given the very low price point of just $170 US and age of the lens. Great News! At f/2 sharpness is already excellent in the centre but the best results can be found between f/4 and f/5.6. Rokinon 12mm F2.0. If you want landscape and a good portion of the MW, then 16mm is far from wide. The 16mm DN is the first Sigma mirrorless lens to include some moisture resistance, which I think very important on a lens that will likely be used for landscape work. The Sony a6500 I’m testing the lens on has an excellent sensor. The results are very sharp through the aperture range up until about f/8, with peak performance occurring between f/4 and f/5.6. 7 reviews. Alien Skin Exposure X2 (Use Code “dustinabbott” to get 10% anything and everything). I inadvertently put this to the test, as I was shooting a wedding in Portland, Oregon, and had the lens in a harness system. I love shooting backlit scenes and adding that sunburst effect as a finishing detail. Here’s a breakdown of the resolution in a controlled test at fairly close range: When I shot a similar scene on the a6500/Sigma 16mm and then the new a7RIII/Sony FE 24-105mm f/4 G OSS lens (at f/5.6) and then downsampled the a7RIII image to equivalent resolution with the a6500 (which favors the a7RIII result), I found that the Sigma 16mm DN still delivered the better image. Sigma 50mm f/1.4 Art – This is the only sub-$1,000 lens that is on par with or better than the Rokinon 50mm, pain and simple. That’s not the kind of testing I like to do…but the lens passed, with flying colors. While a wide angle lens like this is hardly going to make backgrounds disappear, a wide aperture on a lens like this does have the benefit of giving you a more 3 dimensional look to some of your images. In Sony APS-C terms, any lens with a focal length of 23mm (35mm in 35mm terms) or wider is classified as a wide-angle lens, whereas anything wider than 16mm (24mm in 35mm terms) falls into the ultra-wide lens category. The lens does not really suffer with any green fringing after the plane of focus, but there is definitely some purple fringing that shows up before the plane of focus. It covers an equivalent range of 15-27mm, making it a very handy companion for landscapes and architecture. Sigma 16mm vs Rokinon 12mm. Excluded / Not yet tested lenses. It doesn’t feature weather-sealing but the aperture ring is very precise and its focus ring is sufficiently stiff that it won’t move accidentally when shooting landscapes or astrophotography. Comparison – 7artisans 12mm F2.8 vs Rokinon 12mm F2. Still, I like the lens on the a7RIII as a reasonably sized, sharp prime in APS-C mode and also as a great video option in Super 35 mode. I’ve saved some of the best news until last. The Rokinon 12mm F/2 performs very well; especially for the price. If you’re in to low light hand-held shooting and like ultra wide angle views, this would be a great addition to your arsenal. Proceeds go towards keeping this site going and providing you with new reviews! Wide-angle prime lenses are a good choice, not only because they tend to offer better optical quality than zooms but also because they usually boast a brighter maximum aperture. Sharpness is very good even at f/2.8 and the quality of the background blur is decent. Used Rokinon 16mm F/2.0 ED AS UMC CS Lens for Nikon F Mount Cameras E 4.1. Although there are quite a few E-mount zooms in existence, only a couple suit the size and weight of the APS-C range. The Sigma 16mm 1.4 DC DN Contemporary is a high performance prime with a large aperture of F1.4 designed for APS-C Mirrorless cameras including Sony E mount and Micro Four Thirds. So don’t be put off by the Contemporary designation; the 16mm DN is a serious performer! For a little less ... That being said, the Rokinon 12mm f/2.8 ED AS IF NCS UMC has perhaps a wider scope of use than the Sigma 15mm f/2.8. Sell it yourself. It comes with a smooth fly-by-wire focus ring and a 46mm filter thread. i want to do night-caps that include foreground and the Milky way. All look superb. The even better news is that the lens sucks in a LOT of light, making it very easy to shoot stars at lower ISO levels and faster shutter speeds, which means a cleaner result and also less risk of movement in the stars. All in all, I’m pleased enough with the lens that I purchased my own copy at the end of my review, and that is really the highest praise I could give it. This is a great focal length, in either Super 35 (full APS-C frame – 24mm full frame equivalent) or 30P crop mode (where it frames a little tighter – probably closer to a 30mm full frame equivalent via a roughly 1.8x crop factor), and will give you quality footage with great detail and quality autofocus. The Sigma versus Rokinon (Samyang is another brand name for the same Rokinon lenses in the USA) debate has been going for a few years now originally starting with the Sigma … The Rokinon 10mm f/2.8 ED AS NCS CS Lens is a prime, manual focus wide-angle lens designed specifically for use with APS-C sized image sensors. The lens is very compact, with a high quality plastic build and metal mount but sadly no weather-sealing. That’s a great focal length, and is very useful in either Super 35 or crop for the classic framing options it gives. Thanks! Three months ago, I got myself the new Samyang/Rokinon 12mm f2.0 NCS CS lens for my Fujifilm X-E2 and in the time since I’ve been using it a lot, both locally around here and in trips to Greece and Ireland. The byproduct is a rather poor 0.10x magnification (1:9.9 reproduction ratio). It has a build quality that puts it up near the luxury end of the class of lenses available for Sony E Mount (particularly the APS-C lenses), and a price that is only moderate at $449 USD. There are no switches nor any distance markers on the lens due it it having a stepping motor with a “focus by wire” manual focus ring (with such lenses there is no physical coupling to the elements, which renders a standard distance window impossible). Prime: - Rokinon 24mm F/1.4 Aspherical Wide Angle Lens - Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens - Rokinon 16M-C 16mm f/2.0 Aspherical Wide Angle Lens - Rokinon 10mm F2.8 ED AS NCS CS Ultra Wide Angle Lens . The Rokinon 14mm f/2.8 and the Rokinon 14mm f/2.4SP. Why choose the 7artisans 12mm f/2.8 for your Sony APS-C camera: A wide-angle lens for Sony that left me a very good impression was the Sigma 16mm f/1.4 DC DN C (24mm in 35mm terms). In 2016 Sigma launched a new mirrorless lens, the Sigma 30mm f/1.4 DN DC. Speaking of the a7RIII, the 16mm DN can be mounted on a Sony full frame E mount camera, where it will automatically trigger Sony’s APS-C mode (on the a7RII/a7RIII this is still a quite robust 18MP). My research has lead me to these two. The Sigma 16mm f/1.4 DN lens certainly looks very much like an ART lens! Though it shared a lot of design elements with the SLR ART series primes (similar body style and materials), along with the wide maximum aperture that ART primes are famous for, it was, ironically, badged a “Contemporary” lens. The lens hood also snaps in place with a … Now for the good. The lens for Micro Four Thirds offers a 32mm focal length (35mm equivalent) with the same f-number of 1.4. This is great in real world use, but as a lens reviewer it can be a little difficult to divorce lens performance from camera corrections. Please enter discount code: AMPLIS52018DA in your cart. This video breaks down the build and handling of the 16mm DN. Above, I compare the vignetting of the three lenses, both wide open and when stopped down. Unlike lateral chromatic aberrations, which often appear near the edges of the frame as green and purple fringing on both the top and bottom of things like, say, tree branches or other high contrast subjects, axial CA (LoCA) occurs when not all colors focus equally. Sony loves innovation, and my opinion is that they are much better at developing new technology than they are at fully realizing (and servicing) existing tech. This site uses Akismet to reduce spam. Before I break down the details of the lens performance, I do want to raise one more point. Unfortunately, unlike the Fujifilm version of this lens (pictured above), it doesn’t have an aperture ring. Even I put the lens next to my ear the only thing I hear during focus is the focus confirmation beep. Sadly it lacks a proper hyperfocal scale which is a bit odd considering this is a manual focus lens. Aspherical Lens. Sigma says this, “The optical design and stepping motor deliver smooth autofocus during video shooting. The 16mm DN is the first Sigma mirrorless lens to include some moisture resistance, which I think very important on a lens that will likely be used for landscape work. It clicks firmly against the lens mount with no noticeable side to side play and only a slight amount of rotation play, no more than any of my other lenses. If you want much better optical performance though, the Samyang / Rokinon 14mm f/2.4 is a much better lens in comparison. If you were familiar with the 30mm DN lens, it will seem a little large; if you were familiar with the 35/50mm lenses, it will seem quite small. The deep ridges on the fly-by-wire focus ring give you a good grip and help you make fine adjustments, while the stepping motor allows for quick, silent and accurate performance for stills and video. That added engineering challenge is shown in the complexity of the optical formula, which is 16 elements in 13 groups (almost twice as complex)! Gear. I had luck, but not exactly the answer I was looking for. Axial CA is often “fixed” by stopping the lens down to smaller apertures, as the depth of field increases and there is less variance between the focus of the colors. To be fair, however, this is also the most extreme lens in the series, as all previous lenses have been very “safe” focal ranges (from 28mm – 90mm full frame equivalent). My research has lead me to these two. With its funnel-like shape and large front element, it isn’t particularly small compared to many of the primes in the Sony APS-C range but it is portable and well-balanced on a body like the a6500. It’s important for a landscape lens to deliver a good color performance. The image quality from these lenses is excellent. Included is a small petal shaped lens hood. They are both stiffer than the typical Fuji lenses’ ones and that’s a good thing. Although we weren’t able to test it for astrophotography, many reviews hail it as one of the best options for this particular genre. Last updated: August 27, 2019 Go to Comments. This is a very sharp lens, with few competitors in the Sony system. The resistance to flare and chromatic aberration is excellent and the unusual field of view (close to a 31.5mm lens in full-frame terms) makes it versatile for street, reportage and landscapes. My biggest complaint concerns the plastic lens cap: it is fiddly to reattach and the clips don’t lock on tightly enough. See my full video review here! So, the 16mm DN is getting some in camera help, but the good news is that the end product is pretty excellent. If you need magnification from your wide angle lens, something like the Samyang/Rokinon 12mm f/2 lens might better suit your purpose. Full Name: Rokinon 16mm f/2 ED AS UMC CS Dimensions: 3.27 inches/84 millimeters wide, 3.42 inches/86 millimeters long, with a moderate weight of 20 ounces/571 grams. The same is true of vignette, that, while it certainly exists if you go digging for it, arrives already corrected for in both RAW and JPEG images. The main drawback of most wide-angle zooms designed for Sony APS-C cameras however is that they aren’t particularly bright, making them more challenging to use in low-light situations. So all you see with regard to its function suit my camera. The aperture and focus rings are made of plastic, but the former has the right amount of resistance and well-defined half-stop clicks, whereas the latter is smooth but not too easy to accidentally move. Sigma 14mm f/1.8 Art vs Laowa 12mm f/2.8 Prefer to watch your reviews? The lens design fully accommodates the Fast Hybrid AF of Sony E-mount cameras for super-fast autofocus functionality. One of the best deals you can find for your Sony APS-C camera is the Samyang Rokinon 12mm f/2 whose field of view sits in between ultra wide and moderately wide at 18mm in 35mm terms. In this article, we’re going to take a look at the best wide-angle options currently available to those who use Sony APS-C models such as the a6000, a6300, a6400 and a6500. If the sun is in your frame, you can expect an orb-like green flare to appear in your image, so it is best to keep the lens hood attached at all times to mitigate the effects. The main advantages of this lens compared to the Sigma are its extremely compact construction and a very affordable price point. It is well-suited for architectural, interior, and landscape images, plus its fast f/2.0 maximum aperture benefits working in low-light conditions. You have the option of manually turning APS-C mode off, but there is little to gain by doing so. This is, by a good margin, the largest lens in the DN series, but it is still a relatively compact lens by normal standards. Providing a 35mm-equivalent focal length of 18mm and a broad 98.9° angle of view, this lens is great for interior, landscape, and architectural images. Because the star points occupy so little space in a wide angle frame like this, this isn’t overly obvious unless you are looking at a pixel level. The premium competitors (Zeiss Touit or Sony Zeiss options) are mostly double in price, and the similarly priced or less expensive options lack the feature set of the 16mm. You can also make a donation here if you would like. If this were an ART series lens designed for DLSRs, it would be a thousand dollar lens, so at less than half that it definitely earns an easy recommendation. The 16mm DN is the first Sigma mirrorless lens to include some moisture resistance, which I think very important on a lens that will likely be used for landscape work. It’s a nicely made lens that has a premium look and feel to it. A secondary issue is more about the nature of mirrorless. It is only when I want to get wider at night that I pull out the Rokinon. This is about ¾” (19mm) longer than the 30mm, but only about 7mm larger in girth. AF-C mode produces no audible noise, either, and I got excellent face tracing during video segments (something I use these Sigma lenses for quite a bit). Sony is very much a forward looking company, and that has both good and bad points. The 14mm is heavier because its designed for full-frame. Wide-angle lenses make it possible to include much more of the scene in your composition, making them an excellent choice for landscapes, as well as other genres such as architecture (both indoors and out), group shots, and astrophotography. I should note here that the lens is easy to add filters to at a very common 67mm size, which certainly adds to the value as a landscape lens. But by the time the image stretches out and is massaged into shape by the end result is not bad, with only a mild amount of barrel distortion remaining. We were not asked to write anything about these products, nor were we provided any compensation of any kind. It’s hard to argue with the value of the lens, which checks most of the boxes that a landscape lens should. I had grabbed the wrong connector by accident, so I knew that I didn’t have as snug a fit in the holster that I had my Sony a6500 and the 16mm DN in (I was carrying it as a wide angle option to supplement my full frame bodies that did the heavy lifting). The lens weighs 14.29 oz (405g). The Rokinon FE14M-S 14mm F2.8 Ultra Wide Fixed Lens is intended for fullframe cameras, although is compatible for APS-C sensor cameras and should work with it. Some strong flare and ghosting can appear in extreme backlit situations but I didn’t find it to be overly problematic. The Sigma isn’t the first 16mm lens for Sony APS-C however. The Rokinon 14mm f/2.8 and the Rokinon 14mm f/2.4SP. Although it benefits from a constant f/4 aperture, sharpness is never as good at this value as it is at f/5.6 or f/8. At just 258g, this thing is pretty lightweight for a superwide f/2.0 lens, but it feels solid and has a metal mount, so it looks robust enough. Save yourself some trouble and just shoot with the lens in APS-C mode. For the best overall results, I’d stick to f/5.6 and f/8. If you want to eliminate some CA at f/1.4, you need to use something like Adobe’s eyedropper tool to select the color and then eliminate it. The 12mm is small, lightweight manual focus prime with a metal chassis and a plastic finish. You can purposefully see the distortion by turning off the profile correction, which shows that the lens definitely has some moderate barrel distortion. Thank you! Why choose the Samyang Rokinon 12mm f/2 for your X Series camera: One of the pricier options on this list is the Zeiss Touit 12mm f/2.8 (18mm equivalent in 35mm terms) which was announced for Sony E-mount and Fujifilm X series cameras a few years ago. It features a solid metal build (albeit without weather-sealing) and comes with a clicking aperture ring and smooth focus ring complete with a distance scale. Whether you’re a landscape photographer, a nightscape photographer, or an in-your-face portrait or action sports photographer, you might be in the market for an ultra-wide prime lens.Rokinon now has three 14mm lenses on the market. I have decided that what matters in my Sony reviews is to report on what you are going to see as the end user, which is going to be the images after correction. If you decide to buy something after clicking the link, we will receive a small commission. My Patreon:  | Google+: | Facebook: | Twitter: | Flickr: | 500px: | Sign Up for My Newsletter : DISCLAIMER: This article and description contains affiliate links, which means that if you click on one of the product links, I’ll receive a small commission. The widest lens on the list, equating to 13.5mm in 35mm terms, is the Laowa 9mm f/2.8 Zero-D lens. Enter your email and click the blue button below to open the subscription form. One area of strength for the lens is in the flare resistance (a key metric for a wide angle lens!). Compare feature is totally useless on … One of those areas is when the ISO level goes up, as I find the “look” of the pixels to be more obvious on APS-C. A lens like this 16mm f/1.4 certainly helps that problem, though, as due to the wide maximum aperture, easy to handhold focal length, and, in the case of the a6500, an excellent IBIS system (In Body Image Stabiization), there are very few situations where a high ISO level will be necessary. Opens image gallery. Within the E-mount category, there are now plenty of prime lenses to choose between as you’ll see below. Sony E 16mm f/2.8: Up until the arrival of the Sigma 16mm f/1.4, the Sony 16mm f/2.8 pancake lens was the only option Sony E-mount users had if they wanted a 24mm equivalent prime (35mm format) with autofocus. The footage is noticeably sharper than average, and I fully expect this lens to be a favorite with videographers. Stopping down to f/2 or smaller essentially eliminates the issues, and, as a result, there is a big difference between f/1.4 and f/2 ( as you can see in the sample below). Unfortunately this has never been a big Sigma strength in the many Sigma lenses that I’ve tested. They look a little like mosquitoes. The focus ring is rubber, like the older version, but doesn’t have the grippy ridges of the old version. And finally, the 16mm at 2.8 has that 2/3 stop advantage over the 16-50 at 3.5, not a big deal, though possibly advantageous for … I could easily see myself losing it at some point in the future! The quality of the bokeh in these situations is really quite good, though I did notice in an image with Christmas lights in the background that there were some concentric rings (commonly called “onion bokeh”) in the bokeh circles. A nice bonus is that the nine bladed aperture produces very nice sun bursts/sunstars with the lens stopped down, which I really appreciate in a wide angle lens. The Sigma 10-20mm lens for APS-C dSLRs is nearly twice the size and nowhere near as sharp as the Rokinon / Samyang 12mm f/2. In most situations I found the quality of the bokeh to be fairly nice, as this shot of pillars on a staircase shows. Star points are fairly crisp in the center of the frame, but near the edges they stretch a bit and grow wings. But first, I’d like to thank Brent of BrentRentsLenses.com for loaning the Sigma lens used in this test, and B&H for loaning the Zeiss and Rokinon lenses. There are certainly no odd color casts, nor do images look flat and unsaturated. As an Amazon Associate I earn from qualifying purchases. We’ve only ever tested it on Fujifilm X Series cameras but it is also available for Sony APS-C. Coupled with this fast aperture, it also provides the perfect focal length for astrophotography. There is no standard distance window, and what I saw with the in camera feedback was that accurate focus for stars arrived nowhere close to “infinity”. Extreme cold temperatures punctuated every now and then by blizzard-like storms. I was being careful initially, but while shooting a shot of the bridal party from across the foyer of the facility we were in, I was rushing down the stairs for another angle when it happened. ©2018 Alan Dyer . We consider this list dynamic in that we plan to update it whenever Sony or a third-party company release a relevant wide-angle product and we are able to test it. As a result, Sigma’s approach to mirrorless branding is a little like Alice’s “Through the Looking Glass”, where everything ends up somewhat upside down. Condition: New. This lens does seem better than average though. You can also fit 49mm filters to the front. The only drawback of this lens is the lack of electronic contacts on the mount, meaning that the lens doesn’t transfer EXIF data to the camera. The compact and lightweight Rokinon 12mm f/2.0 NCS CS prime wide-angle lens for Samsung NX APS-C sensor cameras provides a 35mm-equivalent focal length of 18mm with a broad 98.9° angle of view. Wide Prime Lenses3. Note: the code above is invalidwhen the software is on pre-order. I was delighted to find that when I put even harsh sun in the frame the image quality held up almost perfectly, and that was true at a variety of aperture values. Some lateral chromatic aberration is present up until f/4 while the heavy barrel distortion is corrected via the lens profile. It's also quite capable for landscape and urban work. It’s that kind of small attention to detail that impresses someone like me who sees a lot of lenses. All in all there is a lot to like and little to criticize here. Having owned and used the 30mm f/1.4 DN lens, I was excited for the release of the new Sigma 16mm f/1.4 DC DN Contemporary as a reasonably priced, premium wide angle option. The 16-50 has the benefit of including OSS which would be good for video. It has huge lens hood and quite wide front lens body area. Why choose the Sony 20mm f/2.8 for your Sony APS-C camera: The Samyang / Rokinon 21mm is a light, compact and affordable manual focus prime available for most mirrorless systems including Sony E. (We tested it on the Fujifilm X-Pro2.). First the bad – there’s definitely some coma. The nature of this is covered in the resolution section above. This means that when you turn the focus ring it sends input to the focus motor, which then moves the elements to focus. Minimal vignetting. I did notice some purple fringing in certain high contrast scenes at wide apertures. Below, see how the Nikon 14-24mm f/2.8, Zeiss Milvus 15mm f/2.8, Rokinon SP 14mm f/2.4, and Sigma Art 14mm f/1.8 compare in a field test shooting the Milky Way and night sky. I can’t really make a personal comment about the autofocus because we tested this lens on a Fujifilm body but reports suggest it is quick in S-AF but struggles a little more in C-AF, and it isn’t completely silent. That said, it is one of the only f/1.4 lenses for Sony APS-C, so it remains a unique offering in this category. Sony a7R III Camera: B&H Photo | Amazon | Amazon.ca | Amazon UK  | Ebay Used between f/4 and f/11, the performance of the Sony is just as good as the Sigma. 800-223-2500 Help Center NYC Store Hours Live Chat. Filter size in an extremely common 67mm. The 12 mm is definitely worth the money, but the 16 is my favorite. I know others are available but suffice to say 6 months of trawling have led here. These are almost never going to be large enough with this kind focal length to be noticeable, however, so I wouldn’t be too concerned. The Rokinon 10mm f/2.8 ED AS NCS CS Lens is a prime, manual focus wide-angle lens designed specifically for use with APS-C sized image sensors. My review of this lens coincided with one of the worse stretches of weather that I’ve faced. The barrel is constructed from a mix of plastic, metal and Thermally Stable Composite and feels very solid in the hand but only the brass bayonet mount is sealed against dust and moisture. Some photographers may wonder why this lens costs $800, while the Samyang 14mm f/2.8 costs just $250-370. Our newsletter goes out every week on Sunday. Hi Roman, I believe Rokinon 12mm F2.0 NCS CS Ultra Wide Angle Lens would be the best for your Sony A6000 camera as this lens is tailored for APS-C crop sensor cameras (like the A6000). The main advantages of this lens compared to the Sigma are its extremely compact construction and a very affordable price point. As you’d expect, it lacks electronic contacts and autofocus but centre sharpness is very good through the aperture range. The 16mm F2.0 ED AS UMC CS ($499) is just one in Rokinon's line of affordably priced manual focus lenses for SLRs and mirorless cameras.It covers a … Personally, I would not use the Samyang 14mm f/2.8 for astrophotography, but if you need a pretty decent ultra wide-angle lens for landscape photography, it is of good value. In our tests, we found that optical quality at the centre was at its best between f/2 and f/5.6 but f/1.4 remains perfectly useable. Note that vignetting and chromatic aberration are present at f/2.8 and f/4 and flare will occur if you shoot into direct sunlight. Sigma first released a series of three budget primes with moderately wide apertures (19mm, 30mm, and 60mm f/2.8 DN lenses). So Sigma 16mm f/1.4 DC DN, while being a pricier option, tends to get more favorable ⭐ reviews than the $349 Rokinon 14mm f/2.8 IF ED MC, as seen on the chart below. As previously noted, the physical design of the 16mm DN is instantly familiar to those who have used either the 30mm f/1.4 DN Contemporary or a lens like the 35mm f/1.4 or 50mm f/1.4 ART lenses. I’ve seen some modern lenses with a bit of a color cast/bias to them or that deliver somewhat flat colors, and there are some other lenses (usually with Zeiss attached to them) that have a extraordinarily beautiful color rendition that is both vivid and accurate. Providing a 35mm-equivalent focal length of 18mm and a broad 98.9° angle of view, this lens is great for interior, landscape, and architectural images. The lens’ strong performance at wide apertures only seals that deal! It also comes in a much wider range of lens mount options than the Sigma 15mm f/2.8 EX DG … 5 Stars ... Sigma Tamron. Certainly for landscape type work or general purpose shootings the lens will work just fine after the profile corrections are applied. This is, I imagine, one of the challenges of developing for a Sony system – the target keeps moving. The lens body is Sigma’s attractive, modern blend of black on black but given character through a variety of textures, including fine ribs at various points. mnhoj Premium Member. Although the Sigma is visibly larger, it is also worth pointing out that it is very lightweight for this type of lens. Why choose the Zeiss Touit 12mm f/2.8 for your Sony APS-C camera: If you don’t have much to spend on a wide angle prime, the 7artisans definitely deserves your attention. It has a bright 1.4 aperture and comes at a very reasonable price, making it a very appealing choice for anyone who uses a Sony APS-C camera. I’ve tested all of these, and they are actually surprisingly good little optics, with nice color, quiet focus, extremely compact size, and a bargain price. The Sony E-Mount Rokinon 12mm f/2.0 NCS CS Lens is a prime super wide angle lens designed specifically for Sony mirrorless cameras with APS-C sized image sensors. The lens focused fine, and when I tested it later, continued to show good centering. Not exactly the prime time of year to get great color. * In fact, one of the oldest primes for the system is the E 16mm f/2.8, an inexpensive pancake lens haunted by something of a mixed reputation. Sigma’s approach to mirrorless lenses (DN) has come in two distinct phases. This can be bothersome if you like keeping track of your aperture values. For stills, the autofocus is quick and accurate, and the image quality is definitely at the top of the heap. The bane of wide-angle lenses is the light fall-off that is inevitable as lens focal lengths decrease. They are especially useful when you want to eliminate or include a specific element close to the edge of the frame, but cannot physically move due to constraints in your environment (such the edge of a cliff or a brick wall). Chromatic aberration isn’t an issue and flare will only show up if you shoot directly into a strong light source. I’ve saved some of the best news until last. Rokinon’s wide ... Sigma 16mm F1.4 DC DN Contemporary. The large aperture is great for low light and for creating depth of field and its small size makes it highly portable. The 30mm lens has a full frame equivalent focal range (on a Sony 1.5x crop factor) of 45mm, and has a relatively simple optical formula of 9 elements in 7 groups. I’ve done my best, but please realize that this lens is capable of delivering better color than what my review photos might suggest. It’s built out of high quality plastics with a metallic lens mount. It’s not always foolproof, but, then again, I’ve yet to see anything on a Sony system that quite matches the magic of Canon’s DPAF for video servo AF face tracking. Make sure it is perfectly straight, otherwise it may cause some dark shading in the corners of your image due to the wide nature of the lens. Distortion won’t pose a problem as long as you apply the correct lens profile to your image in post production and vignetting isn’t an issue. The only real downside of the 19mm is that it lacks full compatibility with Sony’s PDAF system so if you’re dealing with moving subjects, the performance won’t be stellar. Sell one like this. Pros: Excellent image quality, the best of this group at f/2.8. My only (small) complaint is that it is a little too large for the smallest Sony APS-C cameras, especially when the lens hood is attached. It’s larger than any of Sigma’s other DN series lenses, but still a very manageable size on my Sony a6500. Thud! This weakness aside, the 10-18mm is a well-rounded performer, delivering good autofocus on the latest bodies and decent optical stabilisation down to 1/2s (at 10mm) or 1/4s (at 18mm). This image shows both lenses in one frame, but with the Sigma wide open at f/1.8 and stopped down to f/2.8, vs. the Rokinon wide open at f/2.4 and stopped to f/2.8. Sigma vs. Rokinon. Whether you’re a landscape photographer, a nightscape photographer, or an in-your-face portrait or action sports photographer, you might be in the market for an ultra-wide prime lens.Rokinon now has three 14mm lenses on the market. I’ve purchased my sample used for the price of new 7artisans 12mm F2.8. Also, since the Sigma 16mm f/1.4 is at a more extreme wide-angle, you will get some lens distortion, while the 30mm focal length gives a more natural look. The 16mm lens corresponds to a classic wide angle of 24mm, and with an extremely large maximum aperture to boot. Zoom: Images look very good coming out of the lens, but neither was I wowed in any particular way. Wide-Angle Zoom Lenses4. Thank you for your support. I'd say go with the 12 unless you plan to jump to FF in the near future, because I've found the extra stop of brightness really helpful for low light handheld photography while still being relatively free of major CA and coma. Lens is available in nearly every mount out there: Canon EF-S, Nikon F, Sony E, Sony α, Fuji X, Samsung NX, Pentax K, Canon M, and m4/3. Adobe Photoshop Creative Cloud 1-Year Subscription Your personal data won't be recorded until the form has been submitted successfully. While I didn’t get an amazing astro night during my review period (this time of year brings either overcast conditions or bitter cold conditions, often with a bright moon), I did get one extremely cold (-32 C) night were I was able to go out (briefly) and shoot stars (brrrrr….). You might spot some chromatic aberration towards the edge of the frame or flare if you shoot into direct sunlight. Samyang vs Rokinon 12mm f/2. Both lenses are fantastic, but the 16 is just special, I use it for landscape, closeup, and night photography. Discussion in 'Native X-Mount Lens Forum' started by SassE, Nov 30, 2016. I’ve got you covered! Looking at Samyang/rokinon 10mm f2.8, 12mm f2.8(fisheye), 16mm f2.0 and Tokina 11-16 f2.8 suggested by a friend that already does astro. Fair enough, though I’ve seen very few perfectly corrected lenses in my day, and I don’t recall any of them being ART lenses (Otus, perhaps!). Chromatic aberration is minimal, as is vignetting. The 16mm is asp-c sensor only and thats me I have a canon 750D. At the time of writing, it costs just shy of $1000 US. Thanks to its minimum focus distance of 25cm, you can comfortably work with this lens even in tight spaces. Size and weight wise, we’ve found that either lens is a good match for Sony E-mount camer… The compact and lightweight Rokinon 12mm f/2.0 NCS CS prime wide-angle lens for Samsung NX APS-C sensor cameras provides a 35mm-equivalent focal length of 18mm with a broad 98.9° angle of view. Ethics statement: All opinions expressed in this article are based on our real-world experience with each lens unless otherwise stated. I’ve used some other third party wide angle lenses for Sony (the aforementioned Sigma 19mm and the Zeiss Touit 12mm f/2.8) and got a bit of pulsing with those lenses in certain situations (this was also true of several lenses I adapted to the system), but I’ve not seen any of that behavior from the 16mm DN, which locks on very confidently. Lumens, Apr 18, 2017 #9. liggy likes this. Learn how your comment data is processed. Third party lenses get the first party treatment for in camera corrections of things like distortion, vignette, etc…. Price: US $399.00 (approx C $517.72) View original item. I’ve saved some of the best news until last. Sharpness is impressive across the frame even at the fastest aperture, and as the Zero-D moniker suggests, there is very little distortion to speak of. Rokinon 8mm vs. 10mm vs. Sigma 8-16mm vs. Pentax 10-17mm Ultra-wide Showdown Field of View Comparison. Great News! Despite being an ultra wide angle lens, it is fairly compact, tipping the scales at just 225g. This is a comparison of all three Rokinon 14mm lenses (also branded as Samyang) is by landscape and astro photographer Matthew Saville.. Sony E 16mm f/2.8: Up until the arrival of the Sigma 16mm f/1.4, the Sony 16mm f/2.8 pancake lens was the only option Sony E-mount users had if they wanted a 24mm equivalent prime (35mm format) with autofocus. … The metal chassis feels solid and hefty and the built-in lens hood suits the lens very well. © 2012 Dustin Abbott. The new SIGMA 16mm F1.4 DC DN | Contemporary is the world’s first interchangeable lens for mirrorless Sony E-mount and Canon EOS M* cameras in the APS-C format to offer a 24mm focal length (35mm equivalent) and F1.4 brightness. And there is a lot of it too! This was in large part due to the fact that it was developed during the NEX days when Sony exclusively used a Contrast AF focus system in its mirrorless system. One nice touch that I’ve seen on some of the ART series lenses and that is included on the 16mm DN lens is a rubberized transition zone on the included lens hood right where you would grip the lens hood to loosen or tighten it. This is why the announcement of the Sigma 16mm f/1.4, with its 24mm equivalent field of view and fast maximum aperture, was such breath of fresh air for E-mount users. In this case, however, the automatic correction will be there in both your JPEG images and through the embedded profile in RAW files. It's also quite capable for landscape and urban work. SassE New Member. 19mm sigma vs 12mm samyang, lens compare sigma 19mm ex dn vs samyang 12mm, rokinon 12mm vs sigma 19mm, samyang 12mm v sigma 19mm, should buy samyang 12mm or sigma 19mm, sigma 19 mm v samyang 12 mm, sigma 19mm compared to samyang 12mm, sigma 19mm vs samyang 12mm. VIGNETTING. (However, image quality suffers at f/1.8, and shooting wide open should be reserved for situations where shutter speed or image noise is a high priority.) The first thing that should be said about this lens is that it is tiny – so tiny in fact that you should have no trouble finding a spot for it inside your camera bag or your jacket pocket. Focus ring position is same, but 7artisans has more comfortable aperture ring location … It’s wide enough to be a great vlogging lens without being too wide. The bokeh is decent for a wide angle lens and flare resistance is good as long as you don’t shoot into direct sunlight. The 12mm f/2 Rokinon and the 16mm f/1.4 Fujinon are in my mirrorless 5-lens available light kit. The focal length is not so wide that you should get too many weird “polarizing” effects in blue skies. Fortunately, in this case, the solution is easy. It typically appears as purple fringing before the plane of focus and sometimes also with some green fringing after the plane of focus. Internal conversations with Sigma insiders reveals that the popularity of Sony’s E mount (and its evolution to the more premium a6xxx series) caught Sigma a little by surprise, and this second wave of lenses (and their more premium nature) makes for a better match with Sony’s own evolution. Focusing is also fast on the latest bodies despite the age of the lens. We have a non-AF 12mm from Rokinon/Samyang, but then the only other wide prime in affordable price range is the Sigma 16mm… Close-Focus: Marked at .66 f… This lens will be purpose bought for landscape astronomy in mind and thus, I’ll be buying as fast of lens as I can get, which is the Sigma ART 14mm f/1.8, which comes with a $1,500 price tag. It is essentially only an issue at f/1.4. They aren’t the worse performers in this metric, but neither are they near the top, either. The king before this was the Samyang 12mm F2 but now the Sigma has trumped it for the sole purpose of it being 1.4. Another bonus for users of non-stabilised bodies is the inclusion of OSS, which means you can take sharp shots down to 1/10s at 16mm if you are steady. Image not available. Why choose the Sigma 19mm f/2.8 for your Sony APS-C camera: A lens whose performance comes very close to that of the Sigma 19mm is Sony’s own 20mm f/2.8 (30mm in 35mm format). It features a flexible range of 24-105mm in 35mm equivalent terms and a constant f/4 aperture. I’ve previously reviewed the 19mm f/2.8 DN ART lens from Sigma, and, while the AF worked fine in a lot of situations, I discovered with use that I had some issues with the AF pulsing in and out some during video recording, particularly if there was any backlighting in the scene. The upside of a focal length this wide when used from a gimbal or something similar is that the depth of field is going to be quite deep at most apertures, meaning that the focus shifts are going to be minimal anyway. I only noticed them at a pixel level examination of the image. If you were planning to do some macro work with your wide angle lens, the 16mm DN is certainly not going to your first choice. I had to go digging to find the vignette to demonstrate here. To know more about our ethics, you can visit our full disclosure page. The Rokinon FE14M-S 14mm F2.8 Ultra Wide Fixed Lens is intended for fullframe cameras, although is compatible for APS-C sensor cameras and should work with it. The wide maximum aperture of this lens only heightens a lot of people’s expectations for using this lens for astro work. I can now offer a 5% discount on all purchases at Amplis Foto, Canada’s Leading Photographic Supplier. Rokinon 10mm 14mm 16mm astrophotography in Canon EF and EF-S Lenses ... You don't have any landscape in the 16mm shot there. Comatic aberrations are something I try to test and look for with any wide angle options that might potentially be used for astrophotograpy (stars) or similar purposes. From an aesthetics standpoint, which I honestly care almost nothing about, the 14SP is a nice-looking lens and was clearly designed with Zeiss’s external look in mind. I have decided to keep one of the two Rokinon 12mm f2.8 fisheye lenses I received for the reasons: super-wide angle of field (horizontal and verticle); pretty sharp images; easy to focus; great for various shooting scenes including close-up (haven't tried moving objects scene though) etc. It is a little soft at f/1.4 at the centre but improves from f/2 whereas the corners only improve from f/2.8. Your opinions and comments are valuable to us. Distortion can be corrected via the lens profile in Lightroom but chromatic aberration, which is present up until f/8, is a bit trickier to eliminate. All Rights Reserved. The focus ring is rubber, like the older version, but doesn’t have the grippy ridges of the old version. The full frame image circle isn’t even close to being covered, and you will need to essentially crop to the regular APS-C crop factor to eliminate the black area where the image circle isn’t covered by the lens. Although sharpness is generally excellent through zoom and aperture ranges, it delivers the best results at the widest angle between f/4 and f/11, which is good news for landscape photographers. Where mirrorless cameras go head-to-head! This is such a lens, and nothing about the lens feels cheap. Lateral CA is mostly unaffected by aperture, and will appear at most aperture values. If you want much better optical performance though, the Samyang / Rokinon 14mm f/2.4 is a much better lens in comparison. It is a prime super wide angle lens designed specifically for Sony mirrorless cameras with APS-C sized image sensors. In practice, the Sigma 16mm f/1.4 DN has great autofocus. The build quality is good, with its mixed metal and plastic construction, but the loose focus ring is somewhat annoying, as is the lack of a hyperfocal scale and electronic contacts to transfer EXIF data. The build quality is on par with most Sony APS-C lenses: it has a black plastic finish and a metal lens mount. The Rokinon 14mm f/2.8 is $339, the iOptron SkyTracker Pro is $299, and the combination comes out to just $638, which is less than half the price of the Sigma 14mm f/1.8, which costs $1,599. How Are We Doing? Why choose the Laowa 9mm f/2.8 Zero-D for your Sony APS-C camera: Check price on Amazon | Amazon UK | B&H Photo | eBay. Re: Rokinon Samyang 14mm f2.8 vs 12mm f2.8 vs 8mm f3.5 Originally Posted by blackstar The only con of this lens: bit heavy for old man hand The handheld close-up made my hands trembling after only a short time of focusing.) Ratings Distribution. Happily the build quality leaves nothing to be desired. SIGMA vs. ROKINON. Mostly for astrophotography and also general landscape shots. Why choose the Samyang Rokinon 21mm f/1.4 for your Sony APS-C camera: Zoom lenses are convenient for wide-angle photography because they allow you to adjust your composition without physically changing your location. The AF is near instantaneous as I move from minimum focus to infinity targets, locking on silently and confidently. This collection of lenses, however, demands a much more deliberate effort to compare how they see the world in front of them. The best way to get all the info is to watch this video: One of my favorite things about Sony is that they are not restrictive with third party lenses when it comes to in camera profiles. The final lens rating, the Samyang 10mm prime's admirable performance is summed up below. When working in S-AF, we generally found the linear AF motor to be quick and silent. A quick look inside the camera bag of most photographers will usually reveal at least one wide-angle prime or zoom. I've been quite happy with the 12/2. This didn’t surprise me to be honest as I’ve fallen in love with almost every lens in Sigma’s Contemporary and Art series for mirrorless cameras so far! Table of contents1. Most distortion is corrected thanks to the in-camera profile corrections and flare only occurs in strong backlit situations. Just like every other 14mm lens, it is an ultra wide-angle beast, perfect for landscape, street, and even astrophotography. We found something similar. In the corners, sharpness falls off at f/2.8 and f/4 but remains decent from f/8 through to its slowest aperture values. The same truth applies here. The lens has the now standard nine rounded aperture blades that I’ve seen on most all the Sigma lenses I’ve reviewed in the last 4-5 years. Autofocus is rarely going to work in that kind of setting, either, so you will have to practice focusing. After a few months of shooting with the Rokinon 12mm f/2, the humble little thing has entered my holy trinity of budget lenses for the Fuji system: the Helios 4-44 58mm f/2, the Fujinon 35mm f/1.4, and the Rokinon 12mm f/2. Here’s a 10-minute video from Nature TTL that looks at the best lens for star photography. All of the focus takes place internally, and nothing rotates at the front, which makes using a polarizer more simple. The answer should be clear below: The Rokinon … The sharpness is also nicely even across the frame, with fairly good edge performance (important for landscape photographers). While all Sigma lenses use a lot of the same materials (a mixture of metals and their “thermal composites”, aka high end engineered plastics), some Sigma lenses have a slightly more premium feel to them. Though they look nothing like the other ART series lenses, they were, ironically, badged as ART lenses. Sigma vs. Rokinon Centre Sharpness Compared. Personally, I would not use the Samyang 14mm f/2.8 for astrophotography, but if you need a pretty decent ultra wide-angle lens for landscape photography, it is of good value. Were I to buy an extreme wide angle lens for my personal collection, this would definitely be it. If you compose with your subject having some distance to the background, it will definitely stand out. For under $650, you'll have a suite of unique lenses that cover almost every kind of assignment or session. Simply put, if you’re in the market for a sharp lens but you’re on a budget, any of these lenses should be at the very top of your list of options to consider. The manual focus ring is nice and wide on the lens, and moves much like most “focus by wire” systems – smoothly but without a lot of tactile feel. I found it more challenging than I’m accustomed to on DSLRs. When I rescued it at the bottom, however, while the lens hood was knocked askew and had pushed the rubber of the focus ring back a bit, I was able to quickly straighten everything up and ended up with no more than a small scuff on the lens hood. PentaxForums.com → Pentax Lenses and Accessories → Pentax SLR Lens Discussion → Zenitar 16mm vs Rokinon (Samsung) 14mm Sigma 14mm f/1.8 Art vs Laowa 12mm f/2.8 Another couple inches of length are added with the hood, but only about an ounce or so of weight. Picture Information. The focus ring and zoom ring are adjacent to each other, yet you can tell the difference between them thanks to the difference in size. This is especially true the more you zoom out. I have a Sony a6000 and am looking to upgrade my lens for mainly astrophotography and landscape photography.

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